French composer of experimental music and a theoretician and teacher of audio-visual relationships. His book "L’audio-vision. Son et image au cinéma," originally published in France in 1990, is critically acclaimed as the definitive book on the relations between sound and image in film. Link to Wikipedia biography
Born: January 16, 1947, in Creil, France
Michel Chion is a highly regarded French film theorist, composer, and writer. He is particularly renowned for his work on sound in cinema, having authored several influential books on the subject, including Audio-Vision: Sound on Screen and The Voice in Cinema. His theories explore how sound interacts with image to create meaning and affect the viewer's experience, moving beyond merely considering sound as an accompaniment to visuals.
Chion has also composed music for numerous films and installations, demonstrating his practical engagement with the concepts he theorizes. His work often blends acoustic instruments with electronic sounds, reflecting his interest in the evolving relationship between technology and artistic expression.
Precise details on Michel Chion's recent projects are scarce in readily available public resources. As an established figure in his field, he likely remains engaged in writing, composing, and perhaps lecturing. Locating specific information may require consulting specialized film studies resources or contacting institutions related to his work.
Information regarding Michel Chion's presence on social media platforms is not readily available through general online searches. It's possible he maintains a private online presence or prefers to communicate through more traditional channels.
To delve deeper into the work of Michel Chion, explore his published books, academic journals focusing on film theory, and resources related to film sound design and music. These sources are likely to offer the most comprehensive and up-to-date information on his contributions and ongoing activities.
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