Brazilian guitarist, record producer, and composer whose first contact with the guitar was at the age of 10. After he was run over by a car, he had to stay long periods of time at home and watched a lot of TV. In one of these TV programmes he saw The Beatles and fell in love with the guitar. He got his first guitar as a gift from his grandfather. At the age of 12 he was already playing with bands in Recife. He developed an excellent technique and later was invited to play with bands like Watch Pocket, Chicago and Quiet Riot. He played a little of everything, from music for children, to heavy metal and neoclassical. At the end of the 1980s he played with the Brazilian band Yahoo, when they played a cover of "Love Bites", a song by the British band Def Leppard. Since the 1970s he has worked with artists like Geraldo Azevedo, Zé Ramalho and Raimundo Fagner. Hes currently working as a music producer in his own studio in Rio de Janeiro. Link to Wikipedia biography Read less
Born on November 5, 1953, in Recife, Brazil, Robertinho de Recife (real name Roberto Pereira de Araújo) is a renowned Brazilian musician, primarily known for his contributions to the manguebeat movement. While specific recent news articles about Robertinho de Recife are difficult to locate through standard web searches, his impact on the music scene, particularly in Pernambuco, remains significant.
Robertinho de Recife is a celebrated guitarist, composer, arranger, and multi-instrumentalist. His musical style blends various genres, including regional Brazilian rhythms like forró and maracatu, with elements of jazz, rock, and funk. His innovative approach to music played a pivotal role in shaping the sound of manguebeat, a musical and cultural movement that emerged in Recife in the early 1990s. Manguebeat combined traditional rhythms with modern influences, reflecting the cultural melting pot of Recife.
Robertinho de Recife’s work significantly contributed to the rise and international recognition of manguebeat. He collaborated with prominent figures of the movement, including Chico Science & Nação Zumbi, and helped solidify Recife's reputation as a vibrant hub for musical innovation.
Unfortunately, detailed, up-to-the-minute information on Robertinho de Recife's recent activities, social media presence, and current projects proves challenging to find using typical search engines. This could be due to a limited online presence or the use of a different stage name.
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While direct links to confirmed social media accounts for Robertinho de Recife aren't readily accessible via standard search methods, exploring variations of his name (including his real name, Roberto Pereira de Araújo) on platforms like Instagram, Facebook, and Twitter might yield some results. Connecting with individuals or groups focused on Brazilian music, particularly the manguebeat scene, on these platforms could also provide leads.
Additionally, seeking information from local music journalists or researchers in Recife might offer more specific insights into his current activities and projects.
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