Relationship : Marriage 21 May 1935 in Teheran (with French diplomat Claude Achille Clarac) chart Placidus Equal_H.
Death:Death of Father November 1940 (she made a suicide attempt the same month) chart Placidus Equal_H.
Death:Death : Suicide Attempt January 1941 chart Placidus Equal_H.
Health : Accident (Non-fatal) 6 September 1942 in Sils Maria (bicycle accident, head injuries) chart Placidus Equal_H.
Death:Death by Accident 15 November 1942 (long-term consequences of bicycle accident) chart Placidus Equal_H.
Swiss writer, journalist, photographer and traveler. Her father, Alfred, was a wealthy businessman in the silk industry; her mother, Renée, the daughter of Swiss general Ulrich Wille and descended from German aristocracy, was a prominent hostess, horsewoman and photographer. From an early age she began to dress and act like a boy, a behaviour not discouraged by her parents, and which she retained all her life—in fact in later life she was often mistaken for a young man. In 1930 she made contact with Erika Mann (daughter of Thomas Mann). She was fascinated by Erikas charm and self-confidence. A relationship developed, which much to Annemaries disappointment did not last long, although they always remained friends. Annemarie found a soul-mate in Klaus, brother of Erika, and settled in with the Manns as an adoptive family. With Klaus she started experimenting with the use of drugs. She led a fast life in the bustling artistic city that was Berlin towards the close of the Weimar Republic. Her androgynous beauty fascinated and attracted both men and women. Annemaries life-style ended with the Nazi take-over in 1933, and Bohemian Berlin disappeared. Tensions with her family increased, as some family members sympathised with the Swiss Fronts, which favoured closer ties with Nazi Germany. Her parents urged Annemarie to renounce her friendship with the Manns and help with the reconstruction of Germany under Hitler. This she could not do — her circle included Jews and political refugees from Germany. Instead later on she helped the Manns finance an anti-Fascist literary review, Die Sammlung. The pressure she felt under led her to attempting suicide, which caused a scandal among her family and their conservative circle in Switzerland. She took several trips abroad with Klaus Mann, to Italy, France and Scandinavia, in 1932 and 1933. Later that year Annemarie travelled to Persia. After her return to Switzerland, she accompanied Klaus Mann to a Writers Union Congress in Moscow. On her next trip abroad she wrote to him suggesting their marrying, although he was a homosexual — nothing came of this proposal. In 1935 she returned to Persia where, despite her lesbian outlook, she married the French diplomat Claude Achille Clarac, born 31 August 1903 in Nantes, also a homosexual. They had known each other for only a few weeks, and it was a marriage of convenience for both of them. Unfortunately they moved to an isolated area outside Teheran where their lonely existence had an adverse effect on Annemarie. She turned to morphine, which she had been using for years for various ailments, but to which she now became addicted. She returned to Switzerland for a holiday, taking in Russia and the Balkans by car. However, once home, she could not face returning to the isolation she had experienced in Persia. She rented a house in Sils in Oberengadin, which became a refuge for herself and her friends. She wrote Tod in Persien (Death in Persia), which was not published until 1998, although a reworked version appeared as Das Glückliche Tal (The Happy Valley) in 1940. Here she also wrote what was to become her most successful book, Lorenz Saladin: Ein Leben für die Berge. In 1937 and 1938 her photographs documented the rise of Fascism in Europe — she was a committed anti-Fascist. She visited Austria and Czechoslovakia. She took her first trip to the USA, where she accompanied her American friend, photographer Barbara Hamilton-Wright, by car along the eastern coast, as fRead less
Annemarie Schwarzenbach was a Swiss writer, journalist, photographer, and traveler. Born into a wealthy and influential family in Zurich, she led a complex and fascinating life marked by extensive travels, literary pursuits, and struggles with addiction and identity. Her life was tragically cut short at the age of 34.
Schwarzenbach's privileged upbringing provided her with opportunities to travel extensively, documenting her journeys through writing and photography. She covered diverse regions including Persia, Afghanistan, the United States, and the Congo. Her work often explored themes of social injustice, political turmoil, and the search for personal meaning. She was known for her androgynous style and complex relationships.
Schwarzenbach authored several novels, short stories, and travelogues. Some of her notable works include:
Her writings often reflected her own experiences and observations, offering insightful perspectives on the places and people she encountered. Her photography similarly captured the essence of her travels, showcasing a keen eye for detail and composition.
Though recognized during her lifetime, Schwarzenbach's work experienced a resurgence of interest in recent decades. Scholars and readers have rediscovered her compelling narratives and evocative imagery, appreciating her contributions to literature and photography. Several biographies and documentaries have explored her life and work, further solidifying her place as a significant figure in 20th-century Swiss culture.
Unfortunately, precise details regarding specific recent projects, news, and verified social media accounts related to Annemarie Schwarzenbach are limited due to her historical context. Much of the information available pertains to her life and published works, which are the subject of ongoing research and analysis.
For those seeking more in-depth information, exploring her published works, biographies, and scholarly articles is recommended. Archives and libraries specializing in Swiss literature and history may also hold valuable resources.
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