custimage

Valli Alida

May 31, 1921

Rating : A (Data based on a reliable source)

  • dashaimage
  • Pisces
    Moon Sign
  • dashaimage
  • Taurus
    Sun Sign
  • dashaimage
  • Taurus
    Lagan

Remembering Since 2006

Events Events

Relationship : Marriage 19 March 1944 (Oscar De Mejo) chart Placidus Equal_H.

Work : New Job 1946 (Hollywood to do a Hitchcock film)

Work : Published/ Exhibited/ Released 1948 (Appeared in "The Third Man")

Work : Published/ Exhibited/ Released 1952 (Appeard in "Senso")

Death:Death, Cause unspecified 22 April 2006 (in Rome, age 84) chart Placidus Equal_H.

Ai Generated Biography Biography

Italian actress, internationally known, born in Pola, Italy, in a region now belonging to Croatia. From the time of her adolescence, Valli wanted to be an actress and she made her debut at 16. Her beauty and appeal assured her a rapidly-rising career. She was married to Oscor De Mejo on 3/19/1944 with whom she had two kids. In 1946, she was called by Hollywood to film Hitchcocks "Paradine Case," giving her international fame. In 1948, she played in the master work of Carol Reed, "The Third Man" with Orson Welles and in1952, "Senso" with Luchino Visconti. In the following years, Valli worked with the best Italian directors in films and TV, more than 100 films. A baroness, she went into hiding duirng World War II to avoid being recruited by Mussolinis administration for their propaganda efforts. In 1997 she received a career Golden Lion award at the Venice Film Festival. The Italian actress died on April 22, 2006 in Rome of undisclosed causes at age 84. Link to Wikipedia biography Read less

bio Latest Info with AI

Update at: Nov 8, 2025

Alida Valli (Valli Alida)

Born: 31 May 1921, Pula (then Pola, Kingdom of Italy; today Croatia). Birth name: Alida Maria Laura von Altenburger. Died: 22 April 2006, Rome, Italy. Profession: Actress (film, stage, television).

Public profile

Alida Valli was one of the defining European screen icons of the 20th century. Emerging as a teen star in 1930s Italian cinema, she achieved international fame after World War II and worked across Italy, the UK, France, and Hollywood. Renowned for a cool, haunted intensity and precise craft, she collaborated with major auteurs and moved fluidly from romantic melodrama to noir, arthouse, and horror, remaining active for over six decades.

Career highlights

  • Breakthrough in Italy: Piccolo mondo antico (1941, Mario Soldati), which made her a national sensation.
  • Hollywood/UK period: The Paradine Case (1947, Alfred Hitchcock); The Third Man (1949, Carol Reed), as Anna Schmidt; Walk Softly, Stranger (1950) with Joseph Cotten.
  • European classics: Senso (1954, Luchino Visconti); Il grido (1957, Michelangelo Antonioni); Eyes Without a Face (1960, Georges Franju); The Spider’s Stratagem (1970, Bernardo Bertolucci); Suspiria (1977, Dario Argento).
  • Stage and TV: Parallel to her film career, Valli acted extensively in theater and Italian television dramas, earning a reputation for rigor and versatility.

Awards and honors

Valli received major Italian and international recognition across her career, including the Venice Film Festival’s Golden Lion for Lifetime Achievement (1991), and multiple David di Donatello and Nastro d’Argento honors. Retrospectives and honorary tributes have continued to reaffirm her stature as a cornerstone of postwar European cinema.

Recent news, retrospectives, and projects

  • Documentary: Alida (2020, dir. Mimmo Verdesca), based on her letters and diaries, has circulated at festivals, special screenings, and on streaming in subsequent years, often as part of centenary tributes.
  • Centenary tributes (2021 onward): Film museums and cinemateques in Italy and abroad have mounted retrospectives, talks, and exhibits celebrating her legacy; such programming continues periodically.
  • Restorations and re-releases: New restorations and 4K presentations of films associated with Valli—among them The Third Man, Senso, Il grido, and Suspiria—have returned to cinemas, festivals, and home media, introducing her work to new audiences.
  • Cultural heritage: Institutions in Italy and in her birthplace area (Pula/Pola) periodically host events and commemorations that highlight her origins and contribution to cinema.

Social media presence

As a historical figure who passed away in 2006, Alida Valli has no official personal accounts. Conversation and archival material typically appear via:

  • Hashtags such as #AlidaValli on Instagram and X (Twitter) for stills, posters, and clips.
  • Fan-run pages on Facebook and Instagram dedicated to her filmography and memorabilia.
  • Posts by film institutions and festivals (e.g., La Biennale di Venezia, Cineteca di Bologna, British Film Institute) when showcasing restorations or retrospectives.
  • Archival clips and interviews on YouTube/Vimeo from broadcasters and cinephile channels.

Notable resources and links

Legacy

Valli’s screen presence—luminous yet enigmatic—made her equally convincing as romantic heroine, noir enigma, or severe authority figure. Credited sometimes simply as “Valli” (notably in The Third Man), she remains a touchstone for filmmakers and actors exploring the ambiguous, modern woman of postwar cinema. Ongoing restorations and curated programs keep her work vivid and accessible for contemporary viewers.