Death:Death by Disease 20 August 1979 (Tuberculosis, age 56) chart Placidus Equal_H.
Belgian painter and poet who was a founding member of the Revolutionary Surrealist Group (1946). He also founded COBRA together with Danish artist Asger Jorn. In this capacity he was responsible for bringing Henri Lefebvres Critique de la vie quotidienne (1946) to the groups attention. He later became well known for his painted poems (French: Peinture mots), which he called logograms. He died of tuberculosis in Buizingen on 20 August 1979 at age 56. Link to Wikipedia biography Read less
Born on December 13, 1922, in Tervuren, Belgium
Christian Dotremont was a prominent Belgian artist and poet, best known as a founding member of the avant-garde artistic group CoBrA. His work often intertwined visual art and literature, with his unique logogram style blending text and imagery.
While Christian Dotremont passed away in 1979, his legacy continues to influence contemporary art. Recent exhibitions have revisited his contributions to the CoBrA movement, showcasing his innovative techniques and collaborations with other artists. Art historians frequently discuss his impact on 20th-century art, highlighting his ability to merge poetry and painting in a harmonious and groundbreaking manner.
As Christian Dotremont was active long before the advent of social media, he does not have a personal presence on platforms like Twitter or Instagram. However, art institutions and enthusiasts often share his work and discuss his influence on modern art through hashtags and dedicated pages.
For those interested in exploring his work further, the CoBrA Museum and other art-related platforms frequently provide updates and retrospectives on his work.
While Christian Dotremont himself is not involved in recent projects due to his passing, his work remains a subject of study and exhibition. Museums and galleries continue to celebrate his contributions to the CoBrA movement. Retrospectives often feature his logograms and paintings, offering insight into his creative process and artistic philosophy.
Researchers and curators are particularly interested in his ability to bridge the gap between text and visual art, a theme that remains relevant in today's multimedia art world. Exhibitions dedicated to CoBrA often include Dotremont's works alongside those of his contemporaries, providing a comprehensive look at the movement's origins and evolution.
For those interested in learning more about Christian Dotremont, several resources are available: