Giacometti Alberto Vedic birth chart profile
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Cancer Lagna

Giacometti Alberto

October 10, 1901 · Silvaplana, Grisons
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Moon Sign
Leo
Sun Sign
Virgo
Ascendant
Cancer
Nakshatra
Purva Phalguni
Birth Star
ArtSkills - Multi-facetedExtemely RichGain-Financial successLife Path 4Destiny Number 3Soul Number 1Personality Number 11
Biography

Giacometti Alberto Biography

Swiss sculptor and painter, known for his unique interpretations of proportion and space. A giant of twentieth century art, he stands alongside Picasso and Matisse as an artist who defined the way the century is perceived and is one of the few modern artists who has created sculpture, paintings and drawings with equal mastery. He was the winner of the Venice Biennales Grand Prize of Sculpture in 1962 and the Guggenheim International Award for painting in 1964. The oldest son (Alberto, Deigo and Bruno) of post Impressionist painter Giovanni Giacometti and homemaker mother Annetta, Alberto was encouraged as a child to follow in his fathers footsteps in art, despite the mediocre talent he demonstrated in his early years. Fortune smiled when his father was appointed to the Swiss delegation of the Venice Biennale and the adolescent Alberto accompanied him to Venice, where he discovered the world of Italian art from the Renaissance to the present. Remaining in Venice after his father returned to Switzerland, the art-intoxicated youth began his serious study and eventually traveled to Florence and Rome, where he drew and sculpted. After moving to Paris at age 20, he enrolled at the Academie de la Grand Chaumiere the following year where he studied with Antoine Bourdelle for three years. In 1927 he established a studio in Rue Hippolyte-Maindron where he worked until shortly before his death. Joining the Surrealists in 1930, he entered a sustained period of great creativity, molding his sculptures as semi-primitive, schematic figures with protrusions to indicate gender. One hard-core surrealist work from this time entitled "Woman With Her Throat Cut" is considered a genuine masterpiece. His one-of-a-kind sculpture brought him fame; he hobnobbed with the thriving colony of artists and writers in Paris; yet familiarity among his peers bred contempt, resulting in his expulsion from the Surrealists in 1935. "The better things go the less closely tied to others you are." Following his departure from the Surrealists, Giacometti adamantly refused to involve himself in a movement of any kind. Insisting that art demanded obsession, Giacometti primarily turned his attention to sculpture and beginning in 1936, sculpted works that progressively dwindled in size to the point that, prior to World War II, were the size of a pin-head. At the outbreak of war, Giacometti fled to his native and neutral Switzerland, where he lived until 1945. Upon his return to Paris, he carried his latest works in six matchboxes. After the war, his minuscule sculptures began to expand in size until the likeness was elongated, emaciated and disturbing. The war left its mark. Harboring profound anxiety about the human condition, he viewed alienation and despair as a prerequisite for hope, recognizing that the beautiful and the absurd often intermingle in the modern world. He spent more time on painting and critics argued that Giacometti turned sculpture into a kind of painting. A woman standing, a man walking and the bust were the dominant themes in his work. In later years, his brother Diego, who cast Giacomettis pieces, became his favorite model. In 1935 there were no takers for his work at prices of $150. Twenty years later, he was a huge success, with exhibitions of his work in America and Europe. Despite his wealth, Giacometti remained living in his studio, built in the 19th century, without modern plumbing. In 1938, he was hit by a car in Pari
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Update at: Mar 6, 2026

Alberto Giacometti (1901–1966) – Public profile

Alberto Giacometti was a Swiss sculptor renowned for his slender, elongated figures and a relentless search for the essence of human presence. Born on 10 October 1901 in Borgonovo, near Silvaplana, Switzerland, he spent most of his creative life in Paris, where he developed a distinctive language of form that bridged Surrealism and Existentialist concerns. He died on 11 January 1966 in Paris, leaving a lasting impact on modern sculpture.

Biographical outline

  • Raised in the Engadine region of Switzerland; began drawing and making small sculptures as a young artist.
  • Moved to Paris in 1922 to pursue sculpture, joining a circle of avant‑garde artists and writers.
  • Collaborated closely with his brother Diego Giacometti, who assisted in early studio work; the studio gradually became a space where ideas about form, perception, and presence were explored.
  • In Paris, his work evolved from broader Surrealist influences toward a rigorous, existential inquiry expressed in tall, frail, textured figures.
  • His practice spanned sculpture, drawing, and, later, public commissions, with many works produced in editioned or large-scale forms for exhibition and sale.

Artistic approach and significance

  • Known for reducing the human figure to essential lines and planes, achieving a tension between solidity and fragility.
  • Work ranges from intimate studies to monumental sculptures, all emphasizing presence, memory, and perception.
  • Surface texture—rough, pitted, and irregular—conveys a sense of time and contact with the world.
  • His practice influenced postwar sculpture and helped redefine what a sculpture could communicate about human existence.

Notable works

  • The Nose (Le Nez) – a stark, elongated profile that captures a sense of presence through minimal form.
  • Walking Man (L''homme qui marche) – one of his best-known standing figures, embodying movement, endurance, and anonymity.
  • Man Pointing (L''homme qui pointe) – a resolute gesture that directs attention and contemplation outward.
  • Other standing and seated figures, often rendered with hexagonal, angular reliefs and a weathered patina, explore repetition and variation in form.

Public collections and exhibitions

Giacometti’s works are held in major museums and private collections around the world. Notable institutions include the Museum of Modern Art (New York), Tate (London), Centre Pompidou (Paris), and the National Gallery of Art (Washington, DC). A leading institution dedicated to his œuvre is the Fondation Giacometti, which preserves, studies, and presents his works, maintains archives, and organizes exhibitions that travel to museums worldwide.

News, exhibitions and posthumous projects

In the decades following his death, the Giacometti legacy has been the subject of major retrospective exhibitions, catalog raisonnés, and conservation projects. Museums and foundations continue to mount solo shows, reexamine archives, publish scholarly editions, and loan works for international exhibitions. Public programs, lectures, and publications by curators and scholars help situate Giacometti’s œuvre within 20th‑century art, philosophy, and existential thought. New acquisitions, conservation reports, and installation practices at major venues often feature his sculptures, enabling ongoing engagement with his formal language and thematic concerns.

Public profile and media presence

Alberto Giacometti does not have personal social media accounts, as he lived before the digital era. Public updates about his work come from museums, foundations, and art institutions. Official channels include the Fondation Giacometti and major museums that hold or feature his works. These organizations share news about exhibitions, acquisitions, publications, and conservation efforts through their websites and social media platforms.

How to follow or learn more

  • Visit the Fondation Giacometti website for authoritative information, archives, and exhibition news.
  • Check museum sites such as MoMA, Tate, and Centre Pompidou for Giacometti works in their collections and current exhibitions.
  • Search for major retrospective catalogues and scholarly books that reassess his sculpture, drawings, and influence on modern art.

Note: This profile summarizes widely documented aspects of Alberto Giacometti’s life and work. For the most up-to-date exhibition schedules and scholarly editions, refer to official institution pages and catalogues raisonnés published by the Fondation Giacometti and partner museums.

Numerology Profile

Life Path
4

Chaldean Life Path 4 is Rahu-like in intensity—work, order, and practical building. It indicates results through discipline, structure, and steady effort.

Destiny
3

Chaldean Destiny 3 indicates creative expression and communication. It supports writing, speaking, marketing, media, and artistic visibility.

Soul Urge
1

Chaldean Soul 1 desires independence and self-respect. It seeks inner strength, autonomy, and the freedom to lead from within.

Personality
11

Chaldean Personality 11 appears intuitive and inspiring. Others often sense sensitivity, vision, and spiritual presence.

Kabbalah Number
4

Kabbalah Number 4 reflects an inner spiritual code of structure and stability. It supports discipline, grounded effort, and dependable progress.

Birth
1

Birth Number 1 in Vedic Astrology: discover personality traits, career strengths, challenges, and remedies to harmonize destiny for a confident, purpose-driven life.

Life Events & Planetary Transits

Key events mapped against the active Dasha and planetary transits at the time.

1927
Career
Start Business 1927 in Rue Hippolyte-Maindron, France (Established studio)
1930
Social
Joined group 1930 (Joined the Surrealists)
1935
Social
Left group 1935 (Expelled from Surrealists)
1938
Health
Accident (Non-fatal) 1938 in Paris (Hit by a car in Paris)
1949
Relationship
Marriage 1949 (Parisian woman named Annette Arm)
1962
Career
Prize 1962 in Venice (Venice Biennales Grand Prize of Sculpture)
1964
Career
Prize 1964 (Guggenheim International Award for Painting)
1966
Death
Death by Disease 11 January 1966 in Chur (Age 64 of heart disease and bronchitis)
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